Unravelling the Multifaceted Narrative of India: A Comprehensive Analysis of Cultural Complexities, Political Dynamics, Historical Context, and Magical Realism in Salman Rushdie’s Midnight’s Children

Authors

  • Dilkesh Gangwar Research Scholar Govt.P.G. College Bisalpur Pilibhit, UP.

DOI:

https://doi.org/10.56062/gtrs.2024.3.7.654

Keywords:

Fantasy, cultural clash, heritage, magical realism, societal complexity, historical panorama

Abstract

Salman Rushdie’s luminous oeuvre, Midnight’s Children, stands as a tapestry woven with the vibrant threads of Indian culture, the labyrinthine web of political dynamics, the evocative hues of historical context, and the ethereal shimmer of magical realism. This research endeavour embarks on a profound odyssey to unravel the kaleidoscopic layers within Rushdie’s literary opus, delving into the intricate nuances illuminating India's enigmatic soul as depicted through the prism of Saleem Sinai’s odyssey. Through a mélange of narrative prowess and thematic profundity, Rushdie’s magnum opus emerges as a mirror reflecting the tumultuous spirit of a nation on the cusp of transformation Salman Rushdie’s celebrated second novel, Midnight’s Children (1981), garnered the prestigious Booker McConnell Prize for fiction in 1981. Rushdie’s profound affinity for Indian culture and his adept handling of theoretical concepts are evident throughout his body of work. His novels consistently exhibit a deep connection to Indian social, cultural, and political realities and supernatural phenomena. To quote Salman Rushdie: “Reality is a question of perspective; further you get from the past, the more concrete and plausible it seems – but as you approach the present, it inevitably seems more and more incredible.” Midnight’s Children serves as an autobiographical, post-colonial, and political exploration by Rushdie, intimately tied to his childhood nation of India. The novel delves into the rich tapestry of Indian culture, politics, history, fantasy, imagination, stream-of-consciousness, myths, and magical realism, presenting the author’s vivid dreams of Bombay City.  ““India, the new myth--a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.” It also delves into the euphoric fervour of the citizens, symbolizing the definitive end of British rule and the birth of an independent India at the stroke of midnight in 1947. Rushdie encapsulates major events from the pre-independence era through the character of Saleem Sinai. Saleem, possessing supernatural powers, is consumed by a relentless quest for meaning, symbolising the newly independent India brimming with promise and optimism.  studies and shows how readers became increasingly important in considering literary texts. 

References

Rushdie, Salman. Midnight’s Children. London: Vintage Books, 2006.Print.

Abrams, M. H. 1957. A Glossary of Literary Terms, 6th Edition, Bangalore: Prism Books Private Limited. 1993. Print.

Dominic, K. V. “Magic Realism and New Historicism in Salman Rushdie’s Midnight Children” Seva Bharati Journal of English Studies 6. Jan 2010, p63-70.

Ghosh, Tapan Kumar “Salman Rushdie’s Midnight Children: A Critical Study”. The Commonwealth Review 18.2, p21-35.

https://en.m.wikipedia.org/wiki/Salman_Rushdie

https://en.m.wikipedia.org/wiki/Midnight%27s_Children

https://www.sparknotes.com/lit/midnightschildren/summary

www.acedemia.edu

www.brainyquotes.com

https://www.goodreads.com/quotes/1339848-midnight-has-many-children-the-offspring-of-independence-were-not

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Published

2024-07-25

How to Cite

Dilkesh Gangwar , translator. “Unravelling the Multifaceted Narrative of India: A Comprehensive Analysis of Cultural Complexities, Political Dynamics, Historical Context, and Magical Realism in Salman Rushdie’s Midnight’s Children”. Creative Saplings, vol. 3, no. 7, July 2024, pp. 62-72, https://doi.org/10.56062/gtrs.2024.3.7.654.

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