Prejudicial Treatment in Asif Currimbhoy's Goa

Abstract

Inequalities are ubiquitous throughout the world and have been a defining aspect of society since prehistoric times. They typically get smaller as civilization develops, but they still exist. They have to do with the unfair distribution of certain highly valued characteristics, such as earnings, wealth, standing, expertise, and power among various units, including people, dwellings, social classes, religious congregations, organizations, castes, regions, and nations. An analysis of disparities' primary objective is to identify the factors that influence how the writer is distributed among relevant units and to explain their causes and effects. An Indian writer who writes in English, Asif Currimbhoy, was familiar with experimental American theatre. He wrote plays with modern themes. He addressed issues of race, class, and gender. Post-colonialism is made up of these three components. His dramas thus draw their themes from the currents of modern politics and existence. He has been referred to as a karma yogi and India's first theatre attention voice. For him, the 1965 drama "Goa," which had its world premiere at Michigan State University, is very special. The Indian invasions of Goa in December 1961 are the subject of the drama.